BOOKS AND ARTICLES
* Avisar, Ilan. Screening the Holocaust: Cinema’s Images of the Unimaginable. Bloomington and Indianapolis: Indiana University Press, 1988
* Chaney, David, and Michael Pickering. “Authorship in Documentary: Sociology as an Art Form in Mass Observation”, in John Corner, ed., Documentary and the Mass Media. London, 1986, pp29-46
* Chomsky, Noam. Pirates and Emperors - International Terrorism in the Real World. Claremont Research and Publications, 1986, pp7-49
Corner, John, ed. Documentary and the Mass Media. London: Edward Arnold, 1986.
* Corner, John, & Kay Richardson, “Documentary Meanings and the Discourse of Interpretation”, in John Corner, ed., Documentary and the Mass Media. London: Edward Arnold, 1986, pp 141-160
* Crowdus, Gary. The Political Companion to American Film. Chicago, Lake View Press, 1994, pp214-221.
* Doneson, Judith E. The Holocaust in American Film. Philadelphia: The Jewish Publication Society, 1987, pp1-140
* Douglas, Lawrence. “Film as Witness: screening ‘Nazi Concentration Camps’ before the Nuremberg Tribunal”, Yale Law University Journal, Nov. 1995, pp449-481
* Fein, Helen. “An Interview with Alison L. des Forges: Genocide in Rwanda Was Foreseen and Could Have Been Deterred”, in Helen Fein ed., The Prevention of Genocide: Rwanda and Yugoslavia Reconsidered. Institute for the Study of Genocide, New York, 1994, pp33-44.
* Felman, Shoshana. “Film as Witness: Claude Lanzmann’s Shoah”, in Geoffrey H. Hartman, ed., Holocaust Remembrance: The Shapes of Memory. Blackwell, Oxford, 1994, pp90-103.
Friedlander, Saul, ed. Probing the Limits of Representation: Nazism and the “Final Solution”. Cambridge: Harvard University Press, 1992.
* Gitten, David. “Beyond Belief - the Shooting of Schindler’s List”, Empire Magazine, 1995, pp100-109
* Hedges, Stanley J., & Peter Cary ...... “Will Justice be Done?”, US News and World Report, Dec 25, 1995, pp44-55
* Hirsch, Herbert. “Containing Genocide in Bosnia; Why it took four years and what it means”, International Network on Holocaust and Genocide, Jan. 1995, pp6-8
* Hoberman, J. “Shoah: Witness to Annihilation” in Kevin MacDonald & Mark Cousins, eds, Imagining Reality: The Faber Book of Documentary. Faber & Faber, London, 1996, pp316-324
* Insdorf, Annette. Indelible Shadows, Film and the Holocaust. Cambridge University Press, Cambridge, 1983
* Jerome, Richard. “As she was: an Oscar-winning film shows the world Anne Frank the child, more than just a symbol of innocence brutalized”, People Weekly, May 13, 1996, p73-76
*Kaes, Anton. From Hitler to Heimat, The Return of History as Film. Harvard University Press, Cambridge, 1989, pp1-23, & 73-200
* Kracauer, Sigfried. Theory of Film, The Redemption of Physical Reality. London: Oxford University Press, 1960, pp77-90,305-311
* Madsen, Roy Paul. The Impact of Film: How Ideas Are Communicated Through Cinema and Television. MacMillan Publishing Company, Inc., New York, 1973, pp3-26
* Manchel, Frank. “Mishegoss: ‘Schindler’s List’, Holocaust representation and film history”, Historical Journal of Film, Radio and Television, Aug 1998, pp 431-437
* McMahon, Katherine. “Casualties of War: history, realism and the limits of exclusion”, Journal of Popular Film and Television, Spring 1994, p12-22
* Michaelsen, Jacob B. “Remembering Anne Frank”, Judaism: a Quarterly Journal of Jewish Life and Thought, Spring 1997, pp220-229
* Neuman, Johanna. Lights, Camera, War: Is Media Technology Driving International Politics? New York: St. Martin’s Press, 1996, pp159-269
* O’Kane, Maggie. “Covering Bosnia”, Arena magazine, Dec. 1995 - Jan. 1996, pp33-36.
* Ozick, Cynthia. “A Critic at large, Who Owns Anne Frank?”, The New Yorker, Oct. 6, 1997, pp76-87.
* Penley, Constance. “Time Travel Primal Scene and the Critical Dystopia”, Camera Obscura, Fall 15, 1986, pp67-84.
* Reimer, Robert C., & Carol J. Reime. Nazi-Retro Film: How German Narrative Cinema Remembers the Past. Twayne Publishers, New York, 1992, pp131-204.
* Rosenfeld, Alvin H. “Popularization and Memory: The Case of Anne Frank” in Lessons and Legacies, The Meaning of the Holocaust in a Changing World, ed. Peter Hayes, Northwestern University Press, Evanston, 1991, pp243-278.
* Santner, Eric L. Stranded Objects: Mourning, Memory and Film in Postwar Germany. Cornel University Press, Ithaca, 1990, pp65-80.
* Sayles, John. “A conversation between Eric Foner & John Sayles”, in Mark C. Carnes, Past Imperfect: History According to the Movies. Henry Holt and Company, New York, 1995, pp11-28.
* Sorlin, Pierre. The Film in History: Restaging the Past. Basil Blackwell, Oxford, 1980, pp16-40.
* Tatz, Colin. “Film Review: Schindler’s List”, Macquarie University News, no. 259 (May 1994), pp. 4-5.
* Totten, Samuel. “The Literature, Art and Film of the Holocaust” in Genocide: A Critical Bibliographic Review, ed. Israel W. Charny. New York, 1988, pp209-219.
FILMS
EARLIEST DOCUMENTARIES
* Memory of the Camps
* Oswiecim
* In Thy Blood, Live
* Choroba Glodowa
EDUCATIONAL DOCUMENTARIES
* The Longest Hatred, part 1
* The World at War, vol. 10, part 2: ‘Genocide’
* Auschwitz and the Allies
DOCUMENTARIES ON RIGHTEOUS GENTILES
* Oskar Schindler
* The Courage to Care
* Tzedek: the Righteous
SHOAH AND BEYOND
* Shoah
* Night and Fog
* Hidden Children
* Another Journey by Train
* An Illustrated Auschwitz
* Anne Frank Remembered
CONTEMPORARY DEPICTIONS OF GENOCIDE
* Inside a Holocaust
* Sixty Minutes, 7 August, 1984
* Dateline, 9 September, 1995
* Year Zero (John Pilger, 1979)
* Return to Year Zero
DRAMATISATIONS OF GENOCIDE
* The Diary of Anne Frank
* Schindler’s List
* The Truce (La Truega)
* Warszawa
* Europa Europa
* Au Revoir Les Enfants
* And the Violins Stopped Playing
* The Killing Fields
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